Saturday, April 12, 2025

Head In The Clouds

Caitlyn emailed me from Princeton ‘I am delighted to let you know about this one-of-a-kind illustrated guide to clouds, cloud formations, and the artists who painted them, publishing in April this year. I really feel that this book would be an excellent one for review and perfect for readers of Another Bird Blog’. Caitlyn is beginning to understand birders. I replied by return, “I agree Caitlyn”. 
 
The author of Clouds: How to Identify Nature’s Most Fleeting Forms is Edward Graham an award-winning lecturer and atmospheric scientist, latterly Editor-in-Chief of Weather, the flagship journal of the Royal Meteorological Society, from 2019 to 2024. His research interests include clouds, historical meteorology, and the influence of weather on astronomy. He is presently based at the University of the Highlands and Islands in Scotland. 

Although not an obvious bird book I saw a tenuous link to birding that other bibliophiles might not. I could also envisage that many birder readers would enjoy learning about clouds or why in Britain we have more than our fair share of clouds. And rain. 

Most birders spend waking hours with their head in the clouds, looking upwards and listening, to where clouds often hide the real objects of their affections, their feathered friends. Birds fly above clouds, below clouds and through clouds, winged creatures hidden by those mysterious clouds, the visible masses of tiny liquid droplets, frozen crystals, or other particles suspended in the atmosphere, floating in the sky at differing heights. 

“Clouds that wander through the sky, Sometimes low and sometimes high; In the darkness of the night. In the sunshine warm and bright”. 

Sometimes, birds are seen dropping through cloud and to then land virtually at your feet. Which birder has not read about the Great Fall of September 1965 when tens of thousands of migrating songbirds were swept across the North Sea, deposited from thick clouds to land all along the Suffolk coast?  This phenomenon of clouds releasing thousands of birds happens mostly on the east coast of Britain but can occasionally be observed around our Lancashire coast in late autumn when migratory thrushes are on the move. 

Knowledge and observation of clouds, their formations, height and direction of travel, all combined with a feel for reading the weather are useful tools in a birder’s armoury, skills that make for often memorable days when deciding that a cloudy rain-spattered day is not so bad and that heading out birding may turn up unexpected goodies. 

I was correct. When I checked the Clouds Contents and Index for a mention or two of birds I found none. Not to worry there’s a number of other books about birds and the weather, perhaps the best known being Weather and Bird Behaviour by Norman Elkins, or Birds and Weather by Stephen Moss. 



And then in the absence of birds I adopted a different approach and decided to just learn about clouds for a while, especially since the book combines in a unique way, clouds, science and another interest of mine, art. The book combines art and science while showing how to use meteorological techniques to identify the mysterious ever changing sizes, shapes, layers, movement, arrangement and texture of the many colours and varieties of cloud. 

John Ruskin Clouds - Princeton

Taking a lead from typical field guides the  chapters of Clouds are divided into a sort of taxonomic list - The Science of Clouds pages 42 to 135, Mid-Level Cloud Species 136 to 189 and for the cloud listers and twitchers - yes they do exist, at pages 190 to 215, Rare and Unique Clouds. 

And I discovered there is a Cloud Appreciation Society. Check it out at https://cloudappreciationsociety.org/. 

These are lengthy chapters indeed but pages where the text is interspersed with shorter more detailed information, a healthy 140 illustrations, diagrams, plus many reproductions of historic art to elaborate particular points for the reader. I found myself enjoying the art examples and skipping through the sometimes slow moving text in favour of the colour and drama of cloudy skies as portrayed by many famous artists. 

The artists are many, including John Constable’s famous sky studies, the painter of light J.M.W. Turner, the darkening precipitation of Gustav Courbet, Monet’s broken colour, the vivid skies of Vincent Van Gogh. Not forgetting Thomas Cole, he who wisely remarked that clouds “are the soul of all scenery”. 

Starry, starry night 
Flaming flowers that brightly blaze 
Swirling clouds in violet haze 
Reflect in Vincent’s eyes of China blue 
Colors changing hue 
Morning fields of amber grain 
Weathered faces lined in pain 
Are soothed beneath the artist’s loving hand 

Van Gogh's swirling clouds

It was while enjoying the art pages that I finally found a reference to birds and birders. I empathised with the image of Nacreous clouds as portrayed by Edvard Munch in the famous emotional work The Scream and understood why he was screaming. The BBC got it wrong again, the clouds roll in, rain begins and bang goes another birding day, all a birder can do is to scream. 

Edvard Munch - Nacreous cloud

Eddy Graham’s style is an engaging narrative for even the most unscientific reader, mixing his story with essays on the physicists and artists who have explored clouds or pictured them for posterity in art galleries the world over. 

The chosen artists who use cloud to dramatic and often spectacular effect are many and varied with splendid often famous examples found inside the 140 colour pages. This twist to mix the subjects of science clouds with actual and historic art proves to be a triumph of imagination.


Clouds: How to Identify Nature’s Most Fleeting Forms and the information within provides a learning curve for birders who perhaps enjoy clouds but not necessarily the spits and spots of rain. Clouds are an ephemeral but necessary element of their pastime without thinking too deeply about interactions between the inseparable weather and cloud. 

And lets face it, all birders complain when a bright blue sky allows birds to travel at great height and to so evade both optics and their ever alert hearing. 

Clouds is a little out of the ordinary as a bird watcher’s book especially so when birders increasingly use the Internet and birdy news and even bird identification apps rather than the written word. However the modest sum of £25 for this bird related book will surely expand upon their knowledge and understanding of the birds, the weather, clouds and how they interact to make all of our lives richer. 

Price: $29.95/£25.00 
ISBN: 9780691262482 
Published: Apr 22, 2025 
Pages: 224 
Size:8.5 x 10.5 in. 
140 colour illustrations. 


 

Wednesday, April 9, 2025

Birds At Rest: The Behaviour and Ecology of Avian Sleep - A Review

Caitlyn of Princeton messaged to ask if I fancied reviewing a newly published book entitled Birds At Rest: The Behaviour and Ecology of Avian Sleep by American ornithologist Roger F Pasquier. I quickly replied “yes please”. 

Pasquier is well qualified to write the book: a career with BirdLife International, the World Wildlife Fund, the Environmental Defence Fund, and the National Audubon Society. He is currently an associate in the Department of Ornithology at the American Museum of Natural History. His books include Birds in Winter: Surviving the Most Challenging Season. 

Although written from the perspective of an American birder and ornithologist, the theme of birds at rest is global in scientific significance and understanding. Birds and how they spend half their lives is a subject for continuing study by birders of all persuasions, irrespective of their geographical location. 

Birds at Rest - Princeton

New World and Old World birds are all descendants of dinosaurs, creatures that roamed Earth some 130 million years ago, one of which, Mei long, was asleep when volcanic ash covered it in the same sleeping position that many birds use now. Mei long (sleeping dragon) was one of many species of small birdlike theropod dinosaurs living in the area of Liaoning, China all those years ago. 

The meaty chapters of Birds At Rest together with a comprehensive index contains many references to European birds and North American birds alike when readers with a particular interest(s) can quickly find the link they need. For example, Eurasian Wren lists alongside House Wren and others of the clan. Likewise there is information about European Pied Flycatcher, Oklahoma’s State bird the Scissor-tailed Flycatcher, and a description of how the female Yellow-billed Flycatcher of Central and South America builds a suspended pouch in which to sleep during the breeding season. 

Bird roosts, birds at rest and birds asleep has been a special interest of mine for many years, a fascination that stemmed from the early days of a ringing permit with a desire to learn more about the bird species found at roosts of my local Lancashire area of the UK.  Here was a subject that had been sorely neglected in the past, and where apart from the nationally known Starling roost of Blackpool Centre, there were few published records of roosting singles or roost assemblies. 

An early inspiration to better local knowledge was Peter Barnes who many years ago recorded large Corn Bunting roosts at Marton Mere, Blackpool. Sadly, Peter is no longer with us, the Corn Bunting is near extinct as a local breeding species and the existence of a winter roost of Corn Buntings is but a birder’s dream. 

There followed years of finding, tracking, confirming and ringing local birds at rest - Swallows, Chaffinches, Linnets, House Sparrows, Greenfinches, Redwings & Fieldfares, Blackbirds, waders, Long-eared Owls.  Much was learned from the many data sets sent to the BTO in those years when, unlike now, birds were plentiful. 

This preamble describes my justification, my reason and my desire to read Birds At Rest. To learn from history, and to discover how birds at rest are studied and recorded in the Digital Age of 2025 and beyond when GPS, electronic devices, radio telemetry and light-level geolocators are increasingly used. 

The Contents page shown below is an indication of how readers can enjoy and learn from this book, a volume for ornithologists, experienced birders, and for those on the learning curve of the world of birds. 

Birds at Rest - Princeton

The author has an easy style, a way with words coupled with a comprehensive understanding of birds, cognition gained from a lifelong experience amongst birds and fellow ornithologists. 

Birds at Rest - Princeton

Birds at Rest - Princeton

Birds at Rest - Princeton
 
The chapters contain many fascinating, insightful, often esoteric facts and figures about how birds spend half their lives, much, if not the majority of it previously unknown to me (and I suspect, to a good number of birders). 

We have all seen the massed huddles of penguins maintaining warmth on the Antarctica ice, but how many have witnessed 20 or more different species pressed against each other under rock ledges at 4000 metres in the High Andes? And did you know that Rock Ptarmigans on Svalbard in the Greenland Sea at 74-81° N live through ten weeks lacking almost any light and spend most of all day burrowed in the snow? 

I especially recommend to readers Chapter 10, Human Impacts. As might be expected the overall impact of the human race onto birds that need to rest and/or sleep is negative. Positives such as the warmth of industry, city centres, tree plantations and sugarcane fields are negated by increased light and noise and where living in close proximity to humans has exposed birds to invasive species and predators, impacts that has changed sleeping habits gained from millions of years of bird evolution. 

Birds at Rest - Princeton

I have given a taste only of Birds At Rest. I cannot recommend this book highly enough as a good read. It is original, illuminating, entertaining, educational and fascinating in so many aspects. From whatever direction of approach it is an exhilarating read for the layman or scholar alike and at £30 a throw better value than a subscription to RBA and the dead end of pin-drop birding. 

With a full 360 pages of text, minimal illustrations and no actual bird photographs this book provides a welcome change to the recent glut of field guides from publishers. This is a book to read and one to inwardly digest rather than a Sunday afternoon browser. 

This fine book was released in North America in February 2025 and only now is it published in Europe. Grab yourself a copy. You will not be disappointed. 

Price: $35.00/£30.00 
ISBN:9780691259963  
Published (US): Feb 18, 2025 Published (UK): Apr 8, 2025 
Pages: 360 
Size: 6.13 x 9.25 in. 
26 b/w illus.